Alas, it's time peeps to change blog carriers. EVERYONE I read says that Wordpress just works better for author blogging. More professional, more streamlined easier to set up as a real site once I make money etc... so I'm regretfully leaving Blogger for greener pastures.
If you adore what I post and want more follow me, go here and sign up:
http://indigograce.wordpress.com/
I have a new post today on Wonder Woman and the awesomeness of running.
Thanks to everyone who's been here and read.
Indigo Grace
Author, aspiring badass and fangirl. Warning! Spoilers abound.
Friday, March 29, 2013
Sunday, March 10, 2013
"Badass" International Women's Day, March 8th
Considering that I celebrate and cherish badass female characters, I figured I should probably do my due diligence and write a post about International Women's Day, March 8th. Of course I'm late to the party, but whatever. Every day is Women's Day in my universe. Personally, I find it ridiculous that we even need to have an "official" day to acknowledge fantastic, intelligent, glorious women. Haven't we grown past the ignorant beliefs of inequality for all people yet? Maybe not because there is still the mindset out there by many that women are less than <<insert a plethora of assumptions here>>. So yeah, maybe we need to stand up and recognize women in all their glory.
I decided to think on this a little before I wrote, which is sometimes a rarity for me because I tend to be very off the cuff about my observations. I didn't want to sound like I was talking out of my ass, because really how badass would it be to go out there and spout wisdoms that make no sense? Not so much. As writer, I want strong female characters, not because they're female, but because they're interesting. They have flaws and make mistakes but persevere despite them and maybe because of them. Being a badass goes hand in hand with kicking ass and taking names, but it's really about inner truth, inner strength to face what life offers us and making it through the challenges that are presented to us. What doesn't kill us makes us stronger. There are real women out there doing it every day. Real women who know who they are, honor their inner demons and turn that adversity into power. I chose four women, both dead and alive, who I admire for a variety of reason but mostly because of their inner strength and they way they live/d their lives.
Four Real Life Badasses in no particular order:
Pat Summitt is the winningest female basketball coach of all time. She is Women's Basketball Head Coach Emeritus for the University of Tennessee's Lady Vols program. Her challenging, "take no prisoners" and "give every ounce of your passion" style brought her teams and players to esteemed recognition at a time when women's sports were in their infancy. She carried on a tradition of excellence that inspired female athletes to break barriers and look deep within themselves to find courage, strength and fortitude. After 38 years and numerous championships, wins and statistics, she retired and announced her beginning struggle with Alzheimers. It's hard to not stand there and say what a tragedy it is that such a great mind, full of strategy and tough nurturing, will be lost to us. It's hard to not feel like someone so influential will be taken from us when we need people like her to keep us going––to help us believe in our own strengths But in truth, she's already set the foundation. Her legacy lives on in the players' lives she's touched and the people like me, who've never played a sport, but know and admire her for the kind of person she is and all that she's achieved.
http://www.utsports.com/sports/w-baskbl/mtt/summitt_pat00.html
Katherine Hepburn was a trailblazer in a time when beautiful women were looked at as soft sex symbols and an illusion of what women were supposed to be. She was brassy with her deep, gravelly voice, her beauty equally as seductive as Rita Hayworth's, but she eschewed conventions. She wore trousers when all women were wearing nylons and skirts, she played men's sports like golf, smoked cigars, said whatever she wanted and carried on the most famous extramarital affair in Hollywood history. For 26 years, she loved Spencer Tracy and hid it from the scrutiny of the world. They were deeply in love yet maintained separate houses and were very careful to not be seen in public together. She never pushed him for a divorce nor did she want to be married again. She was quoted in her biography saying that she "liked the idea of being my own single self". In a time where women were supposed to be married and have a family, she remained fiercely independent. Even today, most women would classify her as a pariah and a home wrecker. She wasn't. Tracy's marriage had been a broken one for many, many years before he even met her. And seriously, if an independent woman can take care of herself and is strong in the notion of who she is, why be married to a man if it's clear he loves you? Any woman who's been married knows that having a husband around 24/7 is an issue unto itself. Distance makes the heart grow fonder, especially when he's not under-feet and pissing you off. Kate knew that, understood that and lived her life as her life. She did what she wanted and didn't care how she was perceived.
Hillary Rodham Clinton. In contrast to Hepburn, here is the most publicly "embarrassed", cheated on woman of the late 20th century. Yet, she and Tammy Wynette, stood by their man. Valiant or stupid? Who cares. Hillary is a woman of resources, unending strength, determination and fortitude. Was a woman of her character and drive really going to let her horndog of a husband make her look like an idiot? No. I would bet dollars to doughnuts those two have some kind of ironclad agreement. Probably had for years before the whole BJ scandal happened. Of course that's just my speculation, not anything steeped in fact. But, I believe that people of money and power live by a different set of values/beliefs/social mores. Whatever you want to call it, they conduct themselves, differently. She had a goal, a clear vision of where she wanted her life to go. She wanted it all and had the intelligence, ambition and wherewithal to do it. She was one of the three most powerful women of our lifetime, in esteemed company with Madeleine Albright and Condoleeza Rice. As Secretary of State, she held the most powerful position in our government next to the President. She was the face of foreign affairs and a critical advisor to President Obama in a time where the Middle East, notorious for their debasement of women, was and still is in tumultuous upheaval. While the country may not have been ready for a woman to rule the world, in many ways she still made her mark on it in a powerful way. For thirty years, she's been on our radar and a forerunner of change in politics It is not the good ol' boys club it used to be. One day there will be a female president, and she will have Hillary to thank for burning out the trail to get there.
Jane Austen was a trailblazer in her own right, in a time where women had no means to do anything. They were not citizens, had no say in the course of their lives and couldn't own property. They were for all intents and purposes at the mercy of men. A young woman was expected to marry, birth children and take care of the household. Their morality was a reflection on their husband, their beauty a benefit to his wealth and her dowery, or rather what his financial gain from the marriage, a selling point in a union not based on love but monetary gain. How romantic. Yet, Austen wrote of love and passion hidden and buried deep within strict social customs and expectations. She was a great observer of the human condition, like Shakespeare before her. She understood her society with a clarity that set her apart from many of the women of her time. While her novels are mostly about young women and the men they fall in love with despite the challenges of their society and social levels, they celebrate women as passionately intelligent beings. Elizabeth Bennet and her outspoken demeanor, Elinor Dashwood and her steadfast determination to do the right thing, Fanny Price's faithfulness to her beliefs and her love despite being dirt poor. While Austen herself never married and remained under the protection of her family, she continued to explore the possibilities of love conquering all. And in the long run, she did what hardly any young woman of her time did, she published actual books. Written tomes of beloved literature that transcend centuries of change yet still speak to the nature of the human mind and heart.
Every woman has the potential to be who and what they want to be. We are trained in society to believe certain things, thin=beauty, smart=agressive, independence=aloofness. The only way to break a mold is to shatter it, change the inner perception of what it means to be a woman. Take vulnerability and compassion and make that a strength. Use intellect and strategy to achieve a goal even if its only important to you. Love yourself in spite of your flaws, perceived or real. Be a badass and a master of your own path. We only have one life to live. Celebrate being a woman who deserves to live it.
Namaste,
~Indigo
I decided to think on this a little before I wrote, which is sometimes a rarity for me because I tend to be very off the cuff about my observations. I didn't want to sound like I was talking out of my ass, because really how badass would it be to go out there and spout wisdoms that make no sense? Not so much. As writer, I want strong female characters, not because they're female, but because they're interesting. They have flaws and make mistakes but persevere despite them and maybe because of them. Being a badass goes hand in hand with kicking ass and taking names, but it's really about inner truth, inner strength to face what life offers us and making it through the challenges that are presented to us. What doesn't kill us makes us stronger. There are real women out there doing it every day. Real women who know who they are, honor their inner demons and turn that adversity into power. I chose four women, both dead and alive, who I admire for a variety of reason but mostly because of their inner strength and they way they live/d their lives.
Four Real Life Badasses in no particular order:
Pat Summitt is the winningest female basketball coach of all time. She is Women's Basketball Head Coach Emeritus for the University of Tennessee's Lady Vols program. Her challenging, "take no prisoners" and "give every ounce of your passion" style brought her teams and players to esteemed recognition at a time when women's sports were in their infancy. She carried on a tradition of excellence that inspired female athletes to break barriers and look deep within themselves to find courage, strength and fortitude. After 38 years and numerous championships, wins and statistics, she retired and announced her beginning struggle with Alzheimers. It's hard to not stand there and say what a tragedy it is that such a great mind, full of strategy and tough nurturing, will be lost to us. It's hard to not feel like someone so influential will be taken from us when we need people like her to keep us going––to help us believe in our own strengths But in truth, she's already set the foundation. Her legacy lives on in the players' lives she's touched and the people like me, who've never played a sport, but know and admire her for the kind of person she is and all that she's achieved.
http://www.utsports.com/sports/w-baskbl/mtt/summitt_pat00.html
Katherine Hepburn was a trailblazer in a time when beautiful women were looked at as soft sex symbols and an illusion of what women were supposed to be. She was brassy with her deep, gravelly voice, her beauty equally as seductive as Rita Hayworth's, but she eschewed conventions. She wore trousers when all women were wearing nylons and skirts, she played men's sports like golf, smoked cigars, said whatever she wanted and carried on the most famous extramarital affair in Hollywood history. For 26 years, she loved Spencer Tracy and hid it from the scrutiny of the world. They were deeply in love yet maintained separate houses and were very careful to not be seen in public together. She never pushed him for a divorce nor did she want to be married again. She was quoted in her biography saying that she "liked the idea of being my own single self". In a time where women were supposed to be married and have a family, she remained fiercely independent. Even today, most women would classify her as a pariah and a home wrecker. She wasn't. Tracy's marriage had been a broken one for many, many years before he even met her. And seriously, if an independent woman can take care of herself and is strong in the notion of who she is, why be married to a man if it's clear he loves you? Any woman who's been married knows that having a husband around 24/7 is an issue unto itself. Distance makes the heart grow fonder, especially when he's not under-feet and pissing you off. Kate knew that, understood that and lived her life as her life. She did what she wanted and didn't care how she was perceived.
Hillary Rodham Clinton. In contrast to Hepburn, here is the most publicly "embarrassed", cheated on woman of the late 20th century. Yet, she and Tammy Wynette, stood by their man. Valiant or stupid? Who cares. Hillary is a woman of resources, unending strength, determination and fortitude. Was a woman of her character and drive really going to let her horndog of a husband make her look like an idiot? No. I would bet dollars to doughnuts those two have some kind of ironclad agreement. Probably had for years before the whole BJ scandal happened. Of course that's just my speculation, not anything steeped in fact. But, I believe that people of money and power live by a different set of values/beliefs/social mores. Whatever you want to call it, they conduct themselves, differently. She had a goal, a clear vision of where she wanted her life to go. She wanted it all and had the intelligence, ambition and wherewithal to do it. She was one of the three most powerful women of our lifetime, in esteemed company with Madeleine Albright and Condoleeza Rice. As Secretary of State, she held the most powerful position in our government next to the President. She was the face of foreign affairs and a critical advisor to President Obama in a time where the Middle East, notorious for their debasement of women, was and still is in tumultuous upheaval. While the country may not have been ready for a woman to rule the world, in many ways she still made her mark on it in a powerful way. For thirty years, she's been on our radar and a forerunner of change in politics It is not the good ol' boys club it used to be. One day there will be a female president, and she will have Hillary to thank for burning out the trail to get there.
Jane Austen was a trailblazer in her own right, in a time where women had no means to do anything. They were not citizens, had no say in the course of their lives and couldn't own property. They were for all intents and purposes at the mercy of men. A young woman was expected to marry, birth children and take care of the household. Their morality was a reflection on their husband, their beauty a benefit to his wealth and her dowery, or rather what his financial gain from the marriage, a selling point in a union not based on love but monetary gain. How romantic. Yet, Austen wrote of love and passion hidden and buried deep within strict social customs and expectations. She was a great observer of the human condition, like Shakespeare before her. She understood her society with a clarity that set her apart from many of the women of her time. While her novels are mostly about young women and the men they fall in love with despite the challenges of their society and social levels, they celebrate women as passionately intelligent beings. Elizabeth Bennet and her outspoken demeanor, Elinor Dashwood and her steadfast determination to do the right thing, Fanny Price's faithfulness to her beliefs and her love despite being dirt poor. While Austen herself never married and remained under the protection of her family, she continued to explore the possibilities of love conquering all. And in the long run, she did what hardly any young woman of her time did, she published actual books. Written tomes of beloved literature that transcend centuries of change yet still speak to the nature of the human mind and heart.
Every woman has the potential to be who and what they want to be. We are trained in society to believe certain things, thin=beauty, smart=agressive, independence=aloofness. The only way to break a mold is to shatter it, change the inner perception of what it means to be a woman. Take vulnerability and compassion and make that a strength. Use intellect and strategy to achieve a goal even if its only important to you. Love yourself in spite of your flaws, perceived or real. Be a badass and a master of your own path. We only have one life to live. Celebrate being a woman who deserves to live it.
Namaste,
~Indigo
Sunday, February 17, 2013
Can men and women be just friends?
Watson and Holmes |
Shipper Royalty: Scully and Mulder |
Why?
Because it's interesting and titillating and we can't help but feel the same way or wish that it was happening to us. Fiction needs to reflect life for it to be relevant I would venture to say that most people have at some point or another been friends with a member of the opposite sex and had some kind of tingle in the heart and/or nether regions for them. It's nature, an unwritten law of the universe, there is no way around it. Because it comes down to psychology (emotions) and science (pheromones). Friendships are based on common ground, a sense of camaraderie and above all trust. Good love relationships are also based on those same principles with the complication of sex thrown in. When we have trust, we feel close to that person and when we feel close to that person we share things that are intimate and private, whether it's secrets, feelings, truths or sex.
Now, I am no pyschologist, just an observer and explorer of the human condition. But I extrapolate a lot from my own life experience I have had no less than 5 best friends who are male through the course of my adult life, not including the two men that I married. I have had sex with none of them, but I loved 3 of them, one of which was gay so that statement above of one being ugly or gay doesn't always apply. (That's a whole other psychology). One of them, no, not the gay one, I completely misread the signals and had my heart broken. Though I still would bet even odds that he was full of shit and just freaked out that the situation actually presented itself and just couldn't handle it. The third one, well that's more complicated than any of the above.
Carter and O'Neill |
George and Gracie |
Their heads make a heart. Seriously? Stop mocking us. |
Now that doesn't make me a cynic, just a realist. I am a dyed in the wool romantic. I love the idea of deep, soul crushing love. It's why I write romances. But I do believe that we can find that love multiple times in our life, if we're lucky and connect with the right people. Different people come into our life at times for different reasons. If we think of life as a predestined path, we meet people along that path who are there for certain reasons, many of which are unknown to us at the time. They are there to help us, guide us, teach us, and share parts of ourselves that others don't have the wherewithal, means or connection to do so.
How does this relate to the concept that men and women cannot be platonic friends? Well, if there is truth to the fact that we don't mate for life, we seek out or discover connections to others to fill something in ourselves. Sometimes is starts as a friendship and then it morphs into something deeper. Sometimes it starts as an attraction and then morphs into a friendship. Depends on the pheromones and the boundaries or emotional state/needs of those involved. The pure fact that we can't have a television show where the male and female lead aren't flirting gratuitously, the sexual tension crackling on the screen is testament to that. We are excited by emotional connection. We love the build up and the evolution of a relationship, that ebb and flow of tension and release, the dreaded 'C' word–– Conflict. Relationships in books and television/movies without conflict, that fundamental something that keeps them apart, lack sizzle and the taboo of the 'want' and the 'need'. We strive for the ease of connection in our own lives because living in a state of continuous conflict is tiring and stressful. But we crave it in our entertainment because it's exciting and we flirt with it in our daily lives to make ourselves feel alive.
Mary and Marshall, BFFs for life |
In the meantime, I will continue to explore this concept with my own characters. The Overwatch series is steeped in the idea of a man and a woman as best friends who fall in love. Their issues keeping them apart stem from the concept of 'duty over self'. In my upcoming sci-fi romance series, I will examine the concept again between a man and a woman who've fought a war together for years when suddenly they realize the other person is and has been their significant other the entire time, that their strength comes from within themselves, but is compounded by the support and love from the other. And in the continuation of the Overwatch series, I'm going to flip the concept inside out and take a look at what happens when you can't be with the one you love most. How do you reconcile that your other half has found their other half and it isn't you?
So may ideas, so many men, so little time...
Story of my life.
Namaste,
~Indigo
**All images are not mine and belong to others.
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Saturday, February 16, 2013
Strike Back: A Bromance of Epic Hotness
Sullivan Stapleton and Phillip Winchester |
What is it about hot, hot, super hot men running around in cargo pants, tact vests and thigh holsters that just gets my knees a-knocking? Or squirming with an uncontrollable aching need for... Ahem.... Did I mention that they were hot? Good lord, I've found my Mecca. Cinemax's Strike Back has all of this girl's favorite things: Special Ops super heroes, badass women in charge, terrorist ass-kicking, justifiable guns and violence and a shiny new bromance. Oh yeah, and it has some steamy, hair-straightening, toe-curling sex, IN EVERY EPISODE, but we'll talk about that in a minute.
The heroes:
British SAS soldier, Sergeant Michael Stonebridge works for a highly secret, off books division of British Secret Intelligence called Section 20. The group is an anti-terrorism task force charged with high risk, priority missions around the globe. Stonebridge is the consummate soldier, the one who follows orders, always does what is right and never wavers from the mission. His clean cut good looks fit the golden boy, Officer and a Gentleman trope. He's poised and polished under fire and takes the more respectful route when it comes to discussions with management. He's not totally perfect. He cheated on his wife with a superior officer. And then she was blown up. Eeeps.
Stonebridge is sent to find and recruit...
Damien Scott, disgraced US Delta Force Operator, dishonorably discharged during a tour in Iraq. Of course he was set up to cover up a WMD plot, because he would never traffic the two kilos of heroin planted in his footlocker. He does have some integrity. There are lines that every good man at heart won't cross. Yet, he IS the quintessential badboy. Where Stonebridge is sublime perfection, Scott is the grizzled, disillusioned badass who fights hard and plays even harder. He leaves a string of bullets, bodies and women in his wake and gives authority the finger every chance he can get. He doesn't deny his personal demons but he struggles with atonement couched in revenge to find those who set him up.
Together they are a deadly force of precision fighting.
So what makes these two my newest favorite bromance? Aside from the fact I can't decide which one I'd chose if we could stay in bed for a week. Would I really even have to chose? Who says I can't have both, right? Sigh.
In the beginning, they hate each other. Scott is rude and arrogant and bucks authority like it's in his DNA. Stonebridge is the play-by-the-rules, respect-your-elders kind of guy and Scott's jagged edges grate on his last nerve. They fight and argue and call each other 'asshole' and 'prick'. It's the beginning to a beautiful symbiotic bickering foundation of all fine bromances. They question each other's motives, second guess one another and generally dislike each other until they begin to save each other's lives. It becomes a bro-hood forged in blood––theirs and those they kill in the name of freedom.
Over the course of the first Cinemax season, Strike Back:Project Dawn, they develop a deep and trusting friendship. Shared events of tragedy often does that to people, especially hardened soldiers. Now that they have a season under their belt, in season 2 Strike Back: Vengeance, they've switched roles in a way. It is Scott who's the stable one and Stonebridge who is living life on the cutting edge of sanity and redemption. They still bicker, but now they squabble like brothers, nitpicking and teasing while they watch each other's backs. I look forward to seeing how they play up this dynamic in season 3. Both men having purged their ghosts. Maybe Stonebridge will finally get a chance to get his groove on with a woman who actually gets to live. (He's a bit of a black widow, poor bastard).
Which brings me to the sex. Oh my, get me a cigarette. They don't call Cinemax 'Skinamax' for no reason. This is soft core porn at its damn finest. I think in the twenty hour-long episodes that I've watched (and studied like I'm doing a dissertation) I've seen Scott's bare ass more than I've seen my own husband's. Not that I'm complaining because damn, it's fine. He's got just the right amount of dirty, scruffy sex appeal where he can slip any minute into that guy who looks really hot, but you know he's got smelly balls so you wouldn't touch him with a ten-foot pole, let alone his own. But he's got that cute, cute military boy haircut that sticks up like he just raked his hand through it when he rolled out of bed. And let me tell you, he usually doesn't even use a bed. The boy's got some stamina., Walls, tables, barns, interrogation room chairs, balconies. Hot damn the man will fuck anywhere, anytime, with pretty much any woman who's breathing and has a hole. When I say he's had sex in every episode, I'm not lying. He's had sex in EVERY EPISODE but the last four of season 2, and I think that is pretty telling because it means he's come to a decision about himself and his role within Section 20. He feels like he belongs again and he's done racing against the world with his hair on fire. Not bad for a guy with a death wish.
One thing that I have to say that totally cracks me up is that Stonebridge, the Brit, is played by an American, Philip Winchester (his name even sounds like he should be British) and Scott, the American, is played by an Aussie, Sullivan Stapleton. Their accents are reversed . Every once in a while Sully's will slip when he gets hyper emotional, but Philip's, never. It sounds dead on with the rest of the brits on the show. I love it. It's so ironic. Great testament to the quality of acting going on in this well-written, intelligent action fest.
Yes, it's violent, bloody, unapologetically testosterone bent. And I love it. I want more. One day, I will have to do a post on the women of Strike Back because they are badass, brass-ovary women to the core. They are a perfect fit with the boys. They are not just decoration they are true soldiers. Each one is every bit as ruthless as her counterpart. It's refreshing and believable. Strike Back got it right.
Cannot wait until Season 3.
If I'm every kidnapped by a raving group of terrorists, call in these guys. If I die, at least I'll die with a fantasy in my head.
~Namaste
Photos courtesy of Cinemax, Sky 1 and TV Guide.
Thursday, February 7, 2013
Overwatch Update
For like the two of you who have been waiting with bated breath about the status of Overwatch, you're gonna have to wait a little while longer. Book 1: Proving Ground is essentially done. Yay, but Book 2: Exfil Point, ooofah... It's in a major rewrite.
Nooooo!
Yup.
Exfil Point, after the mandatory fermenting period, SUCKS FESTERING MONEKY ASS. It needs a complete overhaul. I guess that's what happens when you try to splice two attempts to start a book into one mash-up and fingers crossed, hope it works out. The only, and I mean ONLY, people who are good at mash-ups are the song stylists at Glee. They are the masters of it. Me? Not so much. While it seemed like it was a good plan and that things flowed while in the midst of a summer induced haze of long days of just writing and drinking and more writing, it didn't fit together as much as I had thought. So it's back to the drawing board for me.
I axed almost 10k words from the end. Shaved it off like a Russian woman's armpits. The emotional content was limp, trite and I had already addressed the issues in it with a whole chapter insert about 6k words before. So chop went the blade. Then I reread it again from the beginning. And started hacking away at the stuff that sounded good but again wound up being forced and trite. Chop, chop. Pretty soon this thing started to look like an anorexic supermodel with a bad hair day. Good thing though? It had a great bone structure. The elements were there. Girl's living in Boy's house, pretending they don't want to just sleep with each other and abstaining for the greater good of the world. They have a deep understanding and friendship that gets tested when they open Pandora's box. (That Bitch Pandora should just keep her damn legs closed and save everyone from the trouble of her minefield of a box! and if you're not getting the box reference, please go check it out at urbandictionary.com) Things gets dicey in relation to their relations and decisions are made that effect the incidents in Book 3: Cold War. The romance stuff I had all down. I knew where I wanted to go, knew how I wanted it to end, shocked myself a little bit with how far I went with it, but it's good. Now that it's bald and a skeleton.
What it needs is some meat. The meat of the Mission that is - they are Spec Ops soldiers and spies after all. Enter the action plot. Oh the goddamn mission... Bane of my existence. And I kick myself all the time for wanting to write love stories about awesome action figure super spies and soldiers because seriously, who gives a shit about them if we never see them at work? Otherwise they should be dog groomers and let call it a day. So I struggle...
I'm not sure if it's because I live a 'do unto others' kind of existence. I try to live fair and equitable and don't treat people cruelly but I have a really hard time coming up with motives for bad guys to do bad things with. If I have a beef with someone who wronged me, I cut you off my Christmas card list and de-friend you on Facebook while you're not looking. I don't plot world domination and human traffic your sister and her best-friend's cousin to get back at you. Therefore, I struggle with believable plots that would bring my sexy heroes and heroines out into the big bad world. Because again, who wants to read about kick ass spies if we neve see them at work?
How have a I fixed this problem? Ugh. I'm reading news articles and blogs from around the troubled hotspots of the world. Very depressing, man's inhumanity to man. We are a disgusting species. The Earth has every right to rebel and get us fuckers off the planet. I've found some pretty disturbing things with regards to the undercurrent of terrorism and the battle to establish a foothold in Africa.
But you know what else this whole devastation of the horrid mash-up has done to me? I've become a plotster. Gasp! Swoon and sigh. I never used to have to plan. WTF? I used to pull rainbows and sunshine out of my ass and it was fabulous. Yeah, well that was fanfiction. And fanfiction while a great proving ground for confidence that maybe your ability to write doesn't suck that bad after all, it's not all that intolerant of dangling plot threads and meandering experiments with slice of life prose. It's shit we wish we saw on our favorite television shows, but just didn't make the cannon cut. In publishable fiction, it's unacceptable to not have a plan. To not have a mid-point that doesn't sag, and a dark moment that doesn't actually give you the feeling that all will never be right again. Who am I using these terms? It's like the moment you realize you have to actually send 95% of your paycheck to pay bills and that you've become a grown up. For the most part I've done this instinctually. But now, with these freaking missions... instinct isn't going to cut it anymore.
This stretches my timeline out exponentially. I've got other series in the works that are begging to be written, one of which is a sequel series to Overwatch, another is a Sci-Fi Romance series. Not that I want to say goodbye to David and Jillie, but I want to publish this bitch and move on. Patience is not always my strong suit.
Alas, I will endeavor to try.
~Indigo
Nooooo!
Yup.
Exfil Point, after the mandatory fermenting period, SUCKS FESTERING MONEKY ASS. It needs a complete overhaul. I guess that's what happens when you try to splice two attempts to start a book into one mash-up and fingers crossed, hope it works out. The only, and I mean ONLY, people who are good at mash-ups are the song stylists at Glee. They are the masters of it. Me? Not so much. While it seemed like it was a good plan and that things flowed while in the midst of a summer induced haze of long days of just writing and drinking and more writing, it didn't fit together as much as I had thought. So it's back to the drawing board for me.
I axed almost 10k words from the end. Shaved it off like a Russian woman's armpits. The emotional content was limp, trite and I had already addressed the issues in it with a whole chapter insert about 6k words before. So chop went the blade. Then I reread it again from the beginning. And started hacking away at the stuff that sounded good but again wound up being forced and trite. Chop, chop. Pretty soon this thing started to look like an anorexic supermodel with a bad hair day. Good thing though? It had a great bone structure. The elements were there. Girl's living in Boy's house, pretending they don't want to just sleep with each other and abstaining for the greater good of the world. They have a deep understanding and friendship that gets tested when they open Pandora's box. (That Bitch Pandora should just keep her damn legs closed and save everyone from the trouble of her minefield of a box! and if you're not getting the box reference, please go check it out at urbandictionary.com) Things gets dicey in relation to their relations and decisions are made that effect the incidents in Book 3: Cold War. The romance stuff I had all down. I knew where I wanted to go, knew how I wanted it to end, shocked myself a little bit with how far I went with it, but it's good. Now that it's bald and a skeleton.
What it needs is some meat. The meat of the Mission that is - they are Spec Ops soldiers and spies after all. Enter the action plot. Oh the goddamn mission... Bane of my existence. And I kick myself all the time for wanting to write love stories about awesome action figure super spies and soldiers because seriously, who gives a shit about them if we never see them at work? Otherwise they should be dog groomers and let call it a day. So I struggle...
I'm not sure if it's because I live a 'do unto others' kind of existence. I try to live fair and equitable and don't treat people cruelly but I have a really hard time coming up with motives for bad guys to do bad things with. If I have a beef with someone who wronged me, I cut you off my Christmas card list and de-friend you on Facebook while you're not looking. I don't plot world domination and human traffic your sister and her best-friend's cousin to get back at you. Therefore, I struggle with believable plots that would bring my sexy heroes and heroines out into the big bad world. Because again, who wants to read about kick ass spies if we neve see them at work?
How have a I fixed this problem? Ugh. I'm reading news articles and blogs from around the troubled hotspots of the world. Very depressing, man's inhumanity to man. We are a disgusting species. The Earth has every right to rebel and get us fuckers off the planet. I've found some pretty disturbing things with regards to the undercurrent of terrorism and the battle to establish a foothold in Africa.
But you know what else this whole devastation of the horrid mash-up has done to me? I've become a plotster. Gasp! Swoon and sigh. I never used to have to plan. WTF? I used to pull rainbows and sunshine out of my ass and it was fabulous. Yeah, well that was fanfiction. And fanfiction while a great proving ground for confidence that maybe your ability to write doesn't suck that bad after all, it's not all that intolerant of dangling plot threads and meandering experiments with slice of life prose. It's shit we wish we saw on our favorite television shows, but just didn't make the cannon cut. In publishable fiction, it's unacceptable to not have a plan. To not have a mid-point that doesn't sag, and a dark moment that doesn't actually give you the feeling that all will never be right again. Who am I using these terms? It's like the moment you realize you have to actually send 95% of your paycheck to pay bills and that you've become a grown up. For the most part I've done this instinctually. But now, with these freaking missions... instinct isn't going to cut it anymore.
This stretches my timeline out exponentially. I've got other series in the works that are begging to be written, one of which is a sequel series to Overwatch, another is a Sci-Fi Romance series. Not that I want to say goodbye to David and Jillie, but I want to publish this bitch and move on. Patience is not always my strong suit.
Alas, I will endeavor to try.
~Indigo
Sunday, November 25, 2012
Irish Chic with a Chip on Her Shoulder
Ok it’s been a while since I’ve submitted another entry into the badass database but I was seriously lacking inspiration with the poor selection of badass women out there on television lately. But now that Burn Notice is back from its fall hiatus, I am once again inspired by the incomparable Fiona Glenanne.
She is the woman every girl dreams she can be: equal parts super hero, sassy, sexy, say anything, blow up things when you're pissed off complete badass chic.
One of the things I totally love about her is that she’s no spring chicken. Gabrielle Anwar is 42 and a mother of three. I don’t think I had abs like hers when I was 8 let alone after kids. Even though she’s a tiny little thing, she’s a brick shithouse. She is rock-solid lean muscle, golden tan skin and lithe like a panther. She carries herself with such confidence that you can’t help but believe that her character used to be part of the IRA when she met the love of her life, undercover CIA agent, Michael Weston.
The best parts about Fiona is that she’s a maniac. She is a great foil for Michael in the sense that she adds a level of crazy to the already insane things they undertake in the name of justice. Michael’s crazy, there’s no doubt. Sam’s his crazy sidekick and now Jesse has an element of loco to him that adds comic relief to an already balls-to-the-wall funfest. The boys come up with some wild plans but Fiona’s often the one that wants to go in guns-a-blazing, hell on wheels, collateral damage be damned. The guys are the ones that have to rein her in. She’s an explosives expert. Knows her guns like she knows her shoes, maybe better. And has no problem walking right in a punching a guy in the nose to cause a diversion. She uses her sexuality as just another tool in her arsenal and wields it like a weapon. Heaven help the bastard who crosses her path.
Her greatest vulnerability is Michael. She’s loved him since he broke her heart in Ireland. She’s only ever wanted to be with him yet he frustrates her beyond belief. His greatest desire is to find out who burned him. He never expects her to come along for the ride but she refuses to let him do it alone, no matter how much she tries to talk him out of it. He never sees her side and does what he wants anyway but her loyalty to him makes her follow him because if he died without her, she would never be able to live with herself. As the seasons progress, she matures a little, settles into her life in Miami and with Michael. She’s come to terms with her role in his life. It also helps that Michael’s finally realized he can’t live with out her and they are now in an official relationship. She’s even earned an upgrade in the teaser voice over from "trigger-happy ex-girlfriend" to "trigger-happy girlfriend". Things are looking up in her world.
I think her letter to Michael as she turns herself into the
authorities at the end of Season 5 sums up how she perceives their relationship best:
“I loved you. Before I should have, I trusted you. Because I’ve always known your heart. You do what’s right no matter the cost to you. And I’ve learned that when you love a spy, you have to be willing to make that sacrifice too. At times your job has made it hard to be with you, but it’s never shaken my faith in you.”
It’s beautiful and poignant and heartbreaking. The anguish
in Michael’s face as he realizes she’s sacrificed herself for him yet again. I
think it’s a turning point for him. He’s finally faced with just how much he’s
taken her for granted and how much he needs her to be complete. Now that he’s
rescued her in season 6, he’s still driven by the need to avenge, but he does
it with her as his partner. He consults her and considers her family. She feels
accepted and while she’s come to terms with his career she still hopes for a
life without it.
While she’s clearly the love-interest-eye-candy to that hunk of man in the testosterone fest, Fiona’s a great example of a woman who can hold her own with the men, do it while still looking like a hottie, and not break a nail as she cocks her shotgun before she blasts you away. She’s a woman you want on your side in an argument, because you don’t want to be on the wrong end of her Irish temper. You might get a spark plug projectile in the eye.
~Namaste.
Wednesday, October 3, 2012
A Curmudgeonly Bromance
In my post about My Favorite Bromance, I forgot one adorable, fun and just delightful pair that make me laugh more and more as they get older:
Gibbs and Fornell on the ever-popular NCIS.
The episodes when Fornell visits should be called "Two Cranky Old Men". They are so cantankerous and set in their ways, each one different and stubborn in their own right. Fornell while being the G-man from the often-maligned FBI (according to NCIS) is often the more sensitive of the two. In Tell-All (Season 8), Fornell prods Gibbs about the wedding invitations they've both received from their mutual ex-wife. Yep, you read that correctly. They share an ex-wife. Gibbs married her first. SHe dumped his ass and then Fornell married her. Their marriage lasted much longer and produced a daughter. But according to Gibbs, Diane was a real pill. Fornell... the poor bastard was smitten and though sometimes complains about her, he is still very much in love with her. He spends the whole episode trying to get Gibbs to go to the wedding, because he really wants to attend.
I think Fornell feels the need for solidarity, to be united front so he can gain a sense of closure. Gibbs doesn't want any part of it. When he walked away, he tore the bandage off full steam and never looked back. Fornell still carries the torch and never felt the sense of finality. That is until he appears in Gibbs' 'Basement of Redemption' with a tux on an no place to go. He says to Gibbs "I think i just gave away the bride". Gibbs simply nods and the door bell rings. It's the pizza man. Fornell asks "With pepperoni and onions?" and Gibbs says, "Yup." Fornell smiles then and offers to pay. It's a sweet scene where two men communicate between the lines over the ultimate in 'single man' food. You know they'll have bourbon out of the dirty mason jars and talk shop, maybe even Gibbs will indulge Fornell's reminiscing.
In the season 10 premiere, Fornell returns to aid NCIS in the investigation to find the arch criminal Dearing. There are some really great scenes between Gibbs and Fornell where they discuss famliy. Fornell is there to support Gibbs, he watches out for him, gives a buffer to his feelings which is done in a very nice subtle way. It has to be because Gibbs doesn't like to be coddled. But the best scene is when Fornell brings him dinner. Gibbs is dressed in a pair of jeans and schlubby long-sleeved tee. Fornell dishes out the food and jokes, "You never dress up for me anymore." It's a joke of course, but it's a testament to their friendship on a few levels. One, their whole dynamic centers around teasing jibes. Two, it implies the idea of a longterm 'marriage', Fornell being the 'woman' who nags at her inattentive 'husband' when the magic has died. But the third most important thing it shows is the true friendship they have for each other and the fact that Fornell cares enough to be there for his friend. The essence of a true Bromance.
Take a look at this little clip from "Short Fuse", Season 8 episode 3.
Can't help but love them. Tough guys with wounded souls. The best kind. Because they're interesting.
~Indigo
Gibbs and Fornell on the ever-popular NCIS.
The episodes when Fornell visits should be called "Two Cranky Old Men". They are so cantankerous and set in their ways, each one different and stubborn in their own right. Fornell while being the G-man from the often-maligned FBI (according to NCIS) is often the more sensitive of the two. In Tell-All (Season 8), Fornell prods Gibbs about the wedding invitations they've both received from their mutual ex-wife. Yep, you read that correctly. They share an ex-wife. Gibbs married her first. SHe dumped his ass and then Fornell married her. Their marriage lasted much longer and produced a daughter. But according to Gibbs, Diane was a real pill. Fornell... the poor bastard was smitten and though sometimes complains about her, he is still very much in love with her. He spends the whole episode trying to get Gibbs to go to the wedding, because he really wants to attend.
I think Fornell feels the need for solidarity, to be united front so he can gain a sense of closure. Gibbs doesn't want any part of it. When he walked away, he tore the bandage off full steam and never looked back. Fornell still carries the torch and never felt the sense of finality. That is until he appears in Gibbs' 'Basement of Redemption' with a tux on an no place to go. He says to Gibbs "I think i just gave away the bride". Gibbs simply nods and the door bell rings. It's the pizza man. Fornell asks "With pepperoni and onions?" and Gibbs says, "Yup." Fornell smiles then and offers to pay. It's a sweet scene where two men communicate between the lines over the ultimate in 'single man' food. You know they'll have bourbon out of the dirty mason jars and talk shop, maybe even Gibbs will indulge Fornell's reminiscing.
In the season 10 premiere, Fornell returns to aid NCIS in the investigation to find the arch criminal Dearing. There are some really great scenes between Gibbs and Fornell where they discuss famliy. Fornell is there to support Gibbs, he watches out for him, gives a buffer to his feelings which is done in a very nice subtle way. It has to be because Gibbs doesn't like to be coddled. But the best scene is when Fornell brings him dinner. Gibbs is dressed in a pair of jeans and schlubby long-sleeved tee. Fornell dishes out the food and jokes, "You never dress up for me anymore." It's a joke of course, but it's a testament to their friendship on a few levels. One, their whole dynamic centers around teasing jibes. Two, it implies the idea of a longterm 'marriage', Fornell being the 'woman' who nags at her inattentive 'husband' when the magic has died. But the third most important thing it shows is the true friendship they have for each other and the fact that Fornell cares enough to be there for his friend. The essence of a true Bromance.
Take a look at this little clip from "Short Fuse", Season 8 episode 3.
Can't help but love them. Tough guys with wounded souls. The best kind. Because they're interesting.
~Indigo
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